Once again the subject matter was defined: Intangible Cultural Heritage means the practices, representations, expressions, knowledge, and skills as well as the instruments, objects, artifacts and cultural spaces associated therewith that communities, groups and, in some cases, individuals recognize as part of their cultural heritage. Folklife Festival Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. Smithsonian Institution cultural center in the U.S. Center for Folklife and Cultural Heritage, Sustaining Minority Languages in Europe (SMiLE). B.A. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. Russias war against Ukraine and its people is a clear and terrible affront to humanity and a violation of fundamental rights recognized in those accords. B.A. Rinzler worked at the center until his death in 1994. They followed the recommendations of an international committee chaired by Americas former first lady Eleanor Roosevelt in accepting the principles set forth in the historical milestone known as the Universal Declaration of Human Rights, which includes cultural rights and freedoms. The Smithsonians Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. Curator. The Center builds cultural understanding, strengthens communities, and reinforces our shared humanity through the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, Cultural Sustainability initiatives, research and educational programs and the Ralph Rinzler Folklife Archives and Collections. Junior Volunteer at Festival of American Folklife, 1986. Research specialties: American folklife, material culture, building arts, occupational folklife, Italian-American folklore, culture and aging, oral history, cultural and linguistic sustainability, public programming. Building on the awareness raised since the beginning of the century by a suite of UNESCO Declarations and Conventions, the centers Cultural Sustainability Research Group is at the forefront of a shift from reified and ossified discourses of preservation to more dynamic and ecological models of sustainability. library.si.edu. M.A., Ohio State University. B.A. B.A. nmaahc.si.edu. Join our mailing list and help us with a tax-deductible donation today. For a list of individual collections included under the umbrella of Smithsonian Folkways, see, For specifics on research questions for this group, see, For a list of events sponsored by this research group, see, Convention for the Safeguarding of the Intangible Cultural Heritage, Ralph Rinzler Folklife Archives and Collections, European Charter for Regional or Minority Languages, "Sustaining Minority Languages in Europe (SMiLE)", Smithsonian Contributions and Studies Series, John F. Kennedy Center for the Performing Arts, https://en.wikipedia.org/w/index.php?title=Center_for_Folklife_and_Cultural_Heritage&oldid=1059238250. Curator. Curator and Senior Archivist. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. In a September 2022 presentation in New Yorks Ukrainian Museum during United Nations General Assembly week, Ukraines first lady Olena Zelenska and Ukrainian Ambassador to the U.S. Oksana Markarova clearly articulated this point. National Museum of African American History and Culture (1996) Pontificia Universidad Catlica de Chile; M.A. [5] Morris had no professional museum experience. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. With nearly 60,000 tracks of digitized music and sound, Folkways is a cultural treasure with unique holdings in American folk, world music and childrens music, including special series dedicated to African American and Latino music. University of California, Los Angeles. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. The first lady spoke eloquently of the importance of history, art and culture in defining the identity of the Ukrainian people. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). Research specialties: Occupational folklife, veterans of World War II, American film and mass media. To this day, the festival features performers, crafts people, and community groups from the United States and foreign countries. The Sacred Grove: Essays on Museums. Research Associate. [note 2] As such, Smithsonian Folkways has become an important collection to the musical community to access and research these recordings from all over the world. (1967) Harvard University; M.A. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk, and more, this exhibition covers the broad and impactful spectrum of Afrofuturism. The museum, located about 40 miles northwest of Kyiv, was home to the nationally and internationally acclaimed folk art of Maria Prymachenko. Working in collaboration with the Smithsonian initiative "Recovering Voices"., this interdisciplinary research program explores relationships between language revitalization, cultural heritage, and traditional cultural transmission. Rinzler continued in the Festival organization, originally as part of the Smithsonian's Division of Performing Arts until a separate Office of Folklife Programs was created in 1980. Many Ukrainian museums hastily evacuated their collections to other locations, sometimes to basements, underground storage facilities or safe sites removed from major Russian attack zones. (1977) University of North Carolina; Ph.D. (1988) University of Edinburgh. Cultural Sustainability Research in Action. Particularly strong are collections of traditional music, occupational folklore, narrative, immigration, and family folklore. (2005) Occidental College; Ph.D. (2017) UCLA. Since then, the label has expanded on Asch's vision of documenting and preserving music and soundscapes from around the world. Research Associate. Sometimes collections are in disarray, evidence of hurried packing and evacuation. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanitys diverse living cultural heritage. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Afrofuturism: A History of Black Futures Visitors enjoy the 2004 Smithsonian Folklife Festival on the National Mall. Our research is grounded in a community-oriented approach, shaping the rich programming of the Smithsonian Folklife Festival and the Mother Tongue Film Festival, the releases of Smithsonian Folkways Recordings, and our Cultural Sustainability initiatives. Dr. Richard Kurin, the Smithsonians Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural Heritage, among other leadership roles over his four decade-long Smithsonian career. HERI mobilized to provide emergency packing materials. (1973) New York University; M.A. Pakistani Hand-Painted Truck at Smithsonian Folklife Festival, 2007. B.A. In alignment with the mission of the Smithsonian Institution,[11] the Center for Folklife & Cultural Heritage is actively promoting and supporting research in fields under its purview. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. B.A. Contact:ClarkLE@si.edu, Crdova, Amalia,Latino Digital Curator of New and Emerging Media. For the past nine months, a squad of Uber drivers has made more than 200 trips and racked up more than 30,000 miles taking conservators to hundreds of museums and offsite storage locations throughout Ukraine. B.A. Senior Folklorist Emeritus. Your Privacy Rights Conservators from Ukrainian museums, libraries and archives have benefited from the advice of experts at the International Centre for the Study of the Preservation and Restoration of Cultural Property and specialists from the Smithsonians Museum Conservation Institute, the Smithsonian American Art Museum, the National Museum of Asian Art, and the Smithsonian Libraries and Archives. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. Smith College; M.A. Using that data, the labs analysts are able to see how closely the heat signatures align with cultural sites. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. Smithsonian Folkways Recordings Curator and Director Emeritus. B.A. In 1998, the Festival was renamed the Smithsonian Folklife Festival to reflect its international interests, and in 1999 the office was renamed the Center for Folklife & Cultural Heritage to reflect its research and public program functions. Seeger, Anthony, Smithsonian Folkways Recordings Curator and Director Emeritus. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. On this Wikipedia the language links are at the top of the page across from the article title. The images in the exhibition spotlight noteworthy individuals and uplift objects from the museums collection, many on display for the first time. Yugoslav dancers rehearse on the South Terrace of the National Museum of History and Technology, now the National Museum of American History, before their performance at the seventh annual Festival of American Folklife, June 30 - July 8, 1973. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. Box 37012, MRC 520 Washington, D.C. 20013-7012, Email powered by MailChimp (Privacy Policy, Terms of Use), Living traditions of, by, and for the people. Toward the end of the fierce battle for Kherson in November 2022, museum staff at the Kherson Regional Art Museum reported that dozens of Russian specialists and aides haphazardly loaded two trucks with some 10,000 artworks without proper packing. Contact Soeun directly . Along with the artifacts of material culture, we are blanketed with artifacts of intangible cultural heritage, including traditions of performance, ritual, music, dance, knowledge, storytelling, and oral transmission. Putin, though, claims that Ukrainians lack the history, culture and identity worthy of a national state separate from Russia. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. Satellite imagery from November 1 reveals the large trucks parked at the side of the museum and another vehicle, a van, stationed in its courtyard. How, then, could conservators make house calls around the country at facilities storing collections of art, artifacts, books, documents, photographs and scientific specimens that documented the richness of Ukraines history, art, culture and scientific achievement? Contact:KimSO@si.edu, Kurin, Richard, Distinguished Scholar and Ambassador-at-Large. B.A. The Archives documents the Centers work on the Smithsonian Folklife Festival and Smithsonian Folkways, and contains the recordings, photographs, papers, and objects related to several historical record labels. If proximate, they call up satellite photographic imagery to examine possible damage. This linguistic shift can be documented more precisely in the language of the UNESCO treaties. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. The Center also produces major national cultural events consistent with its mission. Contact:YoungerE@si.edu, Office of Academic Appointments and Internships, Smithsonian Opportunities for Research and Study (SORS) Intro. Since 1967, the Smithsonian Folklife Festival has collaborated with cultural practitioners, communities, heritage professionals and scholars to spark curiosity, catalyze intercultural exchange, and create participatory experiences that nurture creative human connections. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Cultural Specialist and Curator. [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. (2007), Ph.D. (2015) New York University. (1976) University of Minnesota; M.Ln. Since its inception in 1967, the Festival has highlighted artisans from all 50 states, more than 100 countries and nearly 70 occupations. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Russia and its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude to more aggressive moves. B.A. (2011) New York University. The Centers Cultural Sustainability program works with communities around the world to preserve and practice their living cultural heritage, seeking ways to make linguistic and artisanal traditions, as well as those associated with historical, built, and natural environments flourish for the civic, social and/or economic benefit of practitioners. Turning attention to Ukraine, a lab analyst noted an increase in the building of public monuments in Crimea and the Donbas91 of them. James Deutsch is a curator and editor at the Center for Folklife and Cultural Heritage at the Smithsonian Institution. Russias war in Ukraine is particularly cruel in attacking civilian targets, and its also marked by a strong cultural elementone that is being met with resistance from not only Ukrainians, but also the international community and the Smithsonian Institution. B.A. (1964), Ph.D. (1973) University of Pennsylvania. (2007), Ph.D. (2015) New York University. Spirit in the Dark examines Black religious life through a selection of photographs from the Johnson Publishing Company, publisher of Ebony, Jet, and Negro Digest. B.A. In addition to those named above, the author wishes to thank Hayden Bassett, Katharyn Hanson, Brian Daniels and members of the SCRI, CHML, HERI and NRRC teams who have engaged in this cultural heritage work. B.A. The minister asked the Smithsonian if we could determine its status from satellite imagery. The Dalai Lama, 2000 Smithsonian Folklife Festival. Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. With most of the worlds languages severely threatened, thousands of language communities have committed to revitalization eorts, from documentation and renewal to maintenance. Lithuanian Blacksmith at Smithsonian Folklife Festival, 1998. Cloud cover over the region for days prevented good imagery. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Rather, they suggest a targeted attack on Ukrainian history, culture and identity, a means toward Putins endsthe destruction is a deliberate attempt to obliterate Ukrainian history and culture. As the one-year anniversary of the deadly 2022 Russian invasion of Ukraine approaches, we take a close look at the ongoing work of hundreds of professionals across a landscape of Ukrainian and international organizations to defend endangered cultural heritage. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. From our earliest musical encounters to the formation of complex social identities, the American musical landscape wouldnt be what it is today without the countless contributions of women changemakers, groundbreakers, and tradition-bearers. The trips are daunting, as the conservators traverse war zones and find museums and facilities severely damaged, bereft of roofs and walls, and lacking power and utilities. The SLC works collaboratively with Smithsonian museums and research centers, ensuring that the contributions of the Latino community in the arts, history, national cult Learn More Smithsonian Commemoration The Smithsonian at 175 Intern at Smithsonian Center for Folklife and Cultural Heritage. As one of the "Grand Challenges"[14] of the Smithsonian, CFCH strives to be steward and ambassador of cultural connections. Folklife Magazine explores how culture shapes our lives. While the archive, filled with paper documentation and other memorabilia, is traditionally considered to be museum material, the other two sections exemplify more accurately the direction CFCH is headed, with a "shift from reified and ossified discourses of 'preservation' to more dynamic and ecological models of sustainability". South Africa Program at Smithsonian Folklife Festival, 1999. Contact Robert N. directly . Over the past decades, the Festival has brought more than 23,000 musicians, artists, performers, craftspeople, workers, cooks, and storytellers from more than 90 nations and the United States to demonstrate their skills, artistry, knowledge, and wisdom. Contact:MotleyS@si.edu, NDiaye, Diana Baird, Cultural Specialist and Curator. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturisms historic and poignant engagement with African American history and popular culture. The record label originated as the Folkways Records of Moe Asch, which were donated to the Smithsonian in 1989 under the unique condition that all records in the collection remain available "forever", regardless of sales. Satellite photography of the museum on February 14, 2022, prior to the invasion, shows the museum roof and surrounding area covered by snow. (1967) Harvard University; M.A. Visitors at the 2002 Smithsonian Folklife Festival. The American Folklife Center, at the nearby Library of Congress, limits its scope to American Folklife in contrast to the international scope of the CFCH. As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. Research specialties: Material culture, folklore and education, public programming. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. How much of the culture of a region is embodied in the actual vocabulary of its language? Taquile Musicians from Peru at Festival of American Folklife, 1991. These . For more information, visit the Smithsonian's, International media Interoperability Framework. While providing immediate protection, this presented another major problem. A variety of research projects undertaken by the Center and its staff document cultural traditions and address issues of heritage policy and professional representation practices that result in books, chapters, journal articles and other products. This includes not only the artifacts which are born-digital but also older analog forms which require reformatting for the digital world.[10]. The National Endowment for the Arts, also headquartered in Washington, D.C., offers support and funding to both new and established art media. The program brings together community-driven research and documentation, product development, enterprise training, world-class design development and a suite of tools artisans can use to unlock access to both local and international markets. The Smithsonian, in an effort to document cultural war crimes as defined by the 1954 Hague Convention, shares its findings with Ukrainian cultural colleagues, and with the U.S. Department of States Conflict Observatory. (2004) Barnard College, Columbia University; M.A. Cookie Policy Taquile musicians from Peru perform in the "Land in Native American Cultures" program at the 1991 Festival of American Folklife held on the National Mall, Washington, D.C. Exhibits Staff at Festival of American Folklife, 1993. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. M.A., Ohio State University. During that project, the Smithsonian formally established SCRI under the direction of curator and former U.S. Army monuments woman Cori Wegener, leading to similar efforts in the ensuing years to respond to cultural crises around the worldfrom temple-destroying earthquakes in Nepal to museum bombings in Syria and Iraq. Director of Special Projects. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. The Ralph Rinzler Folklife Archives and Collections contains an extensive collection that documents American and world traditions in research notes, videos, CDs, audio tapes, and still images. B.A. The monuments lauded Russian triumphs, from the czarist empire, to Stalin and victory over the Nazis in World War II, to Russian heroes of 2014. The Centers work is local, national, international, and global in scope. (1970) Williams College; M.A. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. Support the Folklife Festival, Smithsonian Folkways Recordings, Cultural Vitality Program, educational outreach, and more. The Festival is an annual exposition of living culture held on the National Mall in Washington, D.C. for two weeks around the Independence Day holiday for audiences sometimes exceeding one million visitors. A relatively small but interesting and well-documented material culture collection includes iconic and other items from the Festival and the Centers projects. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Through audio recordings and educational materials Smithsonian Folkways strengthens people's engagement with their own cultural heritage and enhances their awareness and appreciation of the cultural heritage of others. The third team at CFCH manages and curates the Ralph Rinzler Folklife Archives and Collections. (2012) Leiden. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. Svitlana Stryelnikova, director general of the National Research Restoration Center of Ukraine, and her staff of expert conservators at the headquarters in Kyiv and branch facilities in Kharkiv, Odesa and Lviv were charged with caring for Ukrainian national collections. Contact:SheehyD@si.edu, Cadaval, Olivia, Research Associate. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanity's diverse living cultural heritage. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . Folklife presentation, education, and research began at the Smithsonian Institution in 1967 with the first annual Festival of American Folklife held on the National Mall. (1980), Ph.D. (1990) Indiana University. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. Smithsonian Folkways Recordings is the nonprofit record label of the Smithsonian Institution that supports cultural diversity and increased understanding among peoples through the documentation, preservation, and dissemination of sound recordings. B.A. These . [1] Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. (1970), Ph.D. (1974) University of Chicago. Now that the festival organization and model were well established, Rinzler began to explore other varieties of folklife productions appropriate for a national museum. B.A. Telephone: 202.633.6440 Fax: 202.633.6474, Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024, Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. (1987) University of Maryland. (1981), Ph.D. (1995) University of Pennsylvania. (1972); Ph.D. (1989) George WashingtonUniversity. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. Noting the Smithsonians mission as a national and international cultural institution to help protect heritage in times of war, Smithsonian Secretary Lonnie G. Bunch III declared: The Smithsonian stands with the people of Ukraine during their most urgent time of need. SCRI, coordinating with Aliph and working with Poshyvailo, arranged to send needed funds and supplies through its long-standing partner in the Netherlandsthe Cultural Emergency Response. B.A. B.A. University of California, Los Angeles. A participant works on a quilt at the 1968 Festival of American Folklife on the National Mall, Washington, D.C. Yugoslav Dancers at Festival of American Folklife, 1973. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. Good imagery able to see how closely the heat signatures align with cultural sites immediate protection, this another... ) FY 2017: $ 10 million than 100 countries and nearly occupations. Folklife, epic, narrative, immigration, and family folklore work is,... 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